![]() It was utterly superb in every way! The energy of those lovely young people never flagged and the pace at times was so inspiring that I just wanted to get up there on the stage with them! The storyline and words hit the nail right on the head as it was all so relevant! The music was lovely, and the energy of the young people was so infectious and perfect. I really wish I could sit through it all again tonight. It is very rare that one goes to a concert and gets to the end and wishes it would all just keep going. We received many lovely comments from people who attended the performances: I was just blown away by the standard and energy and meticulous detail of the whole production. From the thoughtful opening number When I Grow Up, to the highly entertaining boys’ number I Won’t Grow Up! to the lively historical reference of Carrying the Banner, the poignant Weirdos Make Great Superheroes and the culminating message of We’re All in this Together, they were great nights of music, dance and drama. Within the show, students argued for the affirmative and negative sides and presented their points of view through scenes and re-enactments of what teenagers may experience in their everyday lives. Where: McPherson Playhouse, 3 Centennial Sq.The Great Debate followed the wellargued question: Are teenagers given too little responsibility? The talented Arts Professionals team, enthusiastic St Peters staff, excited cast of nearly 100 students and two very efficient backstage crew members worked together collaboratively to create outstanding performances.A lot of kids my age get the idea Shakespeare is boring because of classroom studies, but it’s really quite relatable,” Bell in fall “It’s a great production for all ages because it doesn’t have that feel of Shakespeare. The most important part of the play is it makes Shakespeare applicable and interesting to a young audience, by doing away with the “stodgy vibe” that sometimes accompanies the playwright’s works. For example, when the characters Hermia, Lysander, Helena and Demetrius fall asleep, cast members depicting trees drape over them. Something no other companies have done is presenting a full length of the play with a younger cast.”įourty-four actors between age nine and 18 from Kaleidoscope’s graduate program make up the cast – and much of the set. I wanted to try something totally different. We find another way in to access their interest. Today’s young people “live in an electronic and video world. ![]() “We’re trying to appeal to what young people would find progressive.” Glanville said one of his favourite movies is Baz Luhrmann’s Romeo+Juliet, which also mixes Shakespeare with modern themes. “There’s a lot of similarities to what my friends listen to and what I do.” The soundtrack, mixed by Alexander Brendan Ferguson, absolutely taps into the new breed of pop music, Bell added. “The whole feeling of the show it’s very electrifying and magical – and with the lovers, the love that’s going on, there’s a lot of realism. “I really enjoy the way the play’s going, especially the music,” said Michael Bell, the 16-year-old Parkland secondary student who plays Lysander in the production. But Kaleidoscope’s latest production adds a modern pop culture touch that blends the Elizabethan era with the information age: electronic music. Love, a key theme in Shakespeare’s play, is relatable to young and old, Glanville said. ![]() “It’s geared toward making Shakespeare accessible to all audiences and demystifying it – what is love is it in the eyes or the heart?” So says Roderick Glanville, artistic director of Kaleidoscope Theatre, who put together a rendition of Shakespeare’s A Midsummer Night’s Dream he hopes will appeal to a youthful audience. When forests and fairies collide with electronic beats, the effect is a dazzling show for young people.
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